Teresa Meier

Love at fist sight is how I would describe my feeling when I first came across Teresa Meier’s work.

I love the stories her work tells! 

Awakening

Awakening

Hubris and Hamartia—Allies and Enemies

Hubris and Hamartia—Allies and Enemies

Flight

Flight

Waiting

Waiting

Waiting recently won the Juror’s award in the  Fictional Narrative exhibition at the Photo Place gallery in Vermont opening up December 6, and will be up until January 5. Waiting  and Hubris and Hamartia  also can both be seen at the Portland Art Museum Rental Sales Gallery.

If you can’t see her work in person at either gallery, grab your favorite beverage and go check out her website!

Robert & Shana ParkeHarrison

I’ve been a long-time admirer of the husband and wife duo Robert and Shana ParkeHarrison.

They’re work is conceptual, and centers around the “Every Man,” who interacts with the landscape and works tirelessly to repair the damage done by man’s insatiable desire for expansion and advancement.

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Diana Bloomfield

I came across Diana Bloomfield on Instagram earlier this year, and have been quite fond of her work ever since.

For Diana, photographs and memories are inseparable. She often works with gum bichromate, as the process and it’s resulting softness add to the feeling of the photograph’s relationship to memory.

During this year, Diana has been working on creating a piece of art every day, and as part of that project, she has been photographing flowers from her garden, and I love these botanical portraits. 

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View more of Diana’s fabulous work on her website, and check out her Instagram feed

Oli Kellett

I recently came to know about Oli Kellett through Jeffery Saddoris’s podcast, Process Driven (you can listen to that episode here).

Oli is a British street photographer who travels to the US to photograph. Each trip lasts 10 days, and are full of image making.

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I really like his style. It’s not really what I think of when I hear “street photography,” and I think that’s why I like his work so much.

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Oli somehow manages to capture just one person (or a few) in some of the largest cities in America, and that makes the city seem even more vast, like that person is being swallowed up by the brick, concrete, and pavement.

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Dornith Doherty

Dornith Doherty was given access to several seed banks across the world and, using the on-site x-ray equipment gathers images and then arranges them into collages. She also was able to photograph the facilities where these seeds are preserved.

Millennium Seed Bank Research Seedlings and Lochner-Stuppy Test Garden no. 2

Millennium Seed Bank Research Seedlings and Lochner-Stuppy Test Garden no. 2

Columbian Exchange I

Columbian Exchange I

Columbian Exchange III

Columbian Exchange III

Entry Tunnel, Svalbard Global Seed Vault

Entry Tunnel, Svalbard Global Seed Vault

Collection of Drying Plant Genetic Researches, Geneva, New York

Collection of Drying Plant Genetic Researches, Geneva, New York

Millenium Seed Bank Vault Interior, England

Millenium Seed Bank Vault Interior, England

View more of her Archiving Eden work and so much more over at her website.

Richard Long

Richard Long has been a strong influence on me as a photographer for about ten years now. His work appeals to me on several levels, among them, the hiker inside me. My favorite pieces of his are any of the lines made by walking. In making these sculptures by walking, he is "echoing the whole history of mankind." Rebecca Solnit devotes some of her book Wanderlust: A History of Walking, a book I highly recommend, to Richard Long's art.

A Line Made By Walking, England 1967

A Line Made By Walking, England 1967

England 1968

England 1968

His work is as much performance art as it is anything else. Similarly to Andy Goldsworthy, his work lives in the ephemeral, and were it not for a photographic record, or in other instances, text works, there would be no evidence of Long ever having made his sculpture. 

Leaving the Stones, A Five Day Walk With Dogs on Spitzbergen, Svalbard Norway 1995

Leaving the Stones, A Five Day Walk With Dogs on Spitzbergen, Svalbard Norway 1995

Pujet Sound Mud Circle, Henry Art Gallery, Seattle 1997

Pujet Sound Mud Circle, Henry Art Gallery, Seattle 1997

Visit Richard's website to view more work. 

Beth Moon

"Time is the shape of an old oak as the winds caress and sculpt the bark, defining the hardship and beauty. Time is the trunk that splits apart in great age to accommodate the tempest. Evidence of time is revealed in the furrowed bark of an ancient tree, gnarled, crooked, and beautiful," says Beth Moon in her artist statement for her body of work titled Portraits of Time. Trees are a great subject to use to define time, and Beth's photographs in Portraits of Time are sublime. From ancient Baobab trees that can live to be over 2000 years old (The Panke Baobab in Zimbabwe died in 2011 and was around 2500 years old), to giant oak trees, to towering cedars, these photographs show the majesty and awe of some of the organisms that grow on this planet.

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Her body of work, Island of the Dragon's Blood does much the same thing, focusing on the dragon's blood trees (a name given by the scarlet colored resin that flows through them) and other flora of Socotra, an island in the Arabian Sea.

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Beth has some really great work, which you can see on her website.

Miguel Arzabe

Miguel Arzabe has some really wonderful work made by weaving posters and flyers from various art shows that he attends. It is "informed by the textile tradition of [his] Andean heritage and other indigenous american cultures. Each piece is an archive of cultural output from a specific time and place."

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You can see more of Miguel's work on his website.

Maggie Taylor

I just love the digital composites of Maggie Taylor. They’re all so playful and whimsical! Especially her two bodies of work that illustrate Lewis Carroll's Alice's Adventures in Wonderland, and Through the Looking Glass.

It’s Always Tea Time

It’s Always Tea Time

Explain Yourself

Explain Yourself

All The Better

All The Better

Beware The Jabberwock

Beware The Jabberwock

The Same Story

The Same Story

Night Watch

Night Watch

Here’s a video that provides some great context and behind the scenes looks at her process.

To see more of Maggie’s work, visit her website.

Carol Panaro-Smith & James Hajicek

I've long been an admirer of and influenced by the work of collaborative duo James Hajicek and Carol Panaro-Smith. I discovered their photogenic drawing work around 2004-2005 when I was really getting into making Lumen prints.

Their work hearkens back to, and indeed is directly born from William Henry Fox Talbot, the originator of photogenic drawings, the experiments for which began in 1834. He discovered that paper coated with a salt solution, then brushed with silver nitrate turned black when exposed to light, and a final coat of salt halted that darkening. He then made what is essentially a photogram, placing botanical specimens on the sensitized paper, and exposing it to sunlight. Thus, the "photogenic drawing," and one of the first successful photographic processes was born.

Today, James and Carol use variations of Talbot’s early formulas, and create beautiful pieces that are layered, possess depth, and have fantastic textures. I remember being stunned at the colors and textures the first time I saw their work, and those same feelings return each time I look at their work.

Earth Vegetation 08/17

Earth Vegetation 08/17

Their compositions are so simple and organic, as if they clamped the plants between the glass and paper right where the plants grew out of the dirt.

Earth Vegetation 06/01

Earth Vegetation 06/01

A paragraph, and specifically the last half of it, of their artist statement for their latest body of work, Arc of Departure, resonates in me, and describes the experience of making this sort of work so much better than I’ve been able to in the past:

“The work evolved in stages from its initial intellectual underpinnings through a focus on the physicality of the remaining organic artifact to the spirituality of experiencing “the awe” of being in the immediate presence of this sacred transformative act - magic in its very essence, ruled by serendipity, elusive mysteries, fugitive images, and the ruling master of all – the ultimate impermanence of everything.”

Arc of Departure 09/09

Arc of Departure 09/09

Be sure to visit their website, and you can read an article about their work on Lenscratch. It’s well worth it to spend some time with their work, which can be seen at the Joseph Bellows Gallery, the photo-eye Gallery, and the Tilt Gallery.

Brooks Salzwedel

I've been a fan of Brooks Salzwedel ever since I hear his interview on the Art for Your Ear podcast. He uses graphite, resin, and colored pencils to create scenes of a desolate world.

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To me, his work has a vaguely photographic quality. I think I saw his work before I heard the interview and learned about his process, and I first thought they were manipulated or collaged photographs, coated with encaustic wax. But I was wrong, and I think I love his work more for that.

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His work has so much depth!

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You can listen to his interview on the Art for Your Ear podcast, and see more of his work on his website.

Brooks currently has a show up at Johansson Projects in Oakland, CA.